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Main hall: general view of the room, open kitchen and wine cabinets

About the primal. About fire.

A modern steakhouse of the Basque school

The idea was born on a journey: in search of the perfect formula of taste, Mikhail Gokhner and chef Alexander Tretinnikov travelled to the Basque Country.The result is a restaurant that unites the precise, oceanic minimalism of northern Spain with the primal power of South American asado.

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Beef tartare with bread from the oven on a plate with a blue pattern
OMA wood-fired oven with live flames
Main hall: coffered ceiling, open kitchen and tables

Originality

Provenance and quality of the product. The focus is the Atlantic: the Basque Country, Galicia, Argentina, Uruguay. The historical bond between these regions shaped a shared culture of working with meat and fire. We work with whole cuts, fish on the bone, local and seasonal produce, keeping their natural taste.

Method

The Basque school and the asador technique. Delicate control of the fire, “grey embers”, no aggressive flame, respect for texture. Fire does not mask the product, it reveals it. A minimum of ingredients. A maximum of concentrated flavour.

Atmosphere

An open kitchen, the rhythm of a live fire, the dense energy of the restaurant. Here guests see the process, smell the smoke and hear the grill at work.

The OMA kitchen

  1. Dry-aging cabinet with meat cuts

    60 and 120 days

    Basque chuletones on the bone from our own aging room.

  2. Tomahawk steaks and red peppers on a grill in an open kitchen

    Grey embers

    Fire is the most precise tool here: delicate heat control and no aggressive flame.

  3. Fresh chanterelles

    Seasonal produce

    Whole cuts, fish on the bone, local and seasonal produce, natural flavour.

  4. Cooks and a waiter with flatbreads from the oven

    Open kitchen

    Guests see the process, smell the smoke and follow the work of the grill.

  5. Red and white wine glasses on a table

    Zalto and Riedel

    The right glasses, decanting at the table and strict control of serving temperature.

Fire and aging

The dry-ageing chambers stand right in the dining room and are part of the open gastronomic concept.

Wood-fired oven
A cut of beef in the OMA dry-aging cabinet
Open kitchen
Open kitchen
  • Close-up of raw marbled meat
  • Dry-aging meat cabinets and wine cabinets in the hall
  • Raw artichokes whole and cut open
  • Raw artichokes whole and cut open
  • Fresh chanterelles
  • Piece of blue-veined cheese
  • Fresh raspberries and strawberries
  • Dry-aging cabinet with meat cuts
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Team

Mikhail Gokhner with a glass of red wine by the window
Mikhail GokhnerFounder of El Gaucho and OMA
Chef Alexander Tretinnikov among the cuts in the aging cabinet
Alexander TretinnikovChef of OMA
  • Cooks and a waiter with flatbreads from the oven
  • Waiter in a white OMA jacket with a dish by a cutting board
  • Chef takes a dish out of the wood-fired oven
  • Sommelier and waiters in the hall
  • Chefs carve jamón at an event
  • Chefs carve jamón at an event
  • Waiters in the hall and by the dry-aging cabinet
  • Waiter in gloves dresses a salad
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OMA spaces

OMA is two spaces with different characters and a shared language of restrained luxury. The interior is by designer Zhenya Uzhegova: no visual noise, light that singles out the table, music that stays in the background and never interrupts conversation. The main hall resembles a gentlemen's club: a coffered wooden ceiling, a stone pattern on the floor and a collection of paintings. The private room is intimate: a large table for 10 guests and walls painted from Zhenya Uzhegova's sketches. The plate pattern was designed by Ilya Kiselev, inspired by a journey to the Basque Country.

Wine cellar

At OMA wine is a full partner of the fire. The list is deep, with a focus on the great reds: Super Tuscans, Bordeaux, Burgundy and cult New World wines that stand up to the power of dry-aged meat and rich fish.

The sommelier leads an expert conversation without pressure and can suggest a rare vintage or a wine you will not find in shops. Zalto and Riedel glassware, decanting at the table and strict control of serving temperature.

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  • Wine cabinet shelves with bottles
  • Sommelier opens a bottle and pours wine
  • Wine bottles in a cabinet
  • Close-up of red wine in a glass
  • Hand takes a bottle out of the wine cabinet
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OMA kitchen

The open kitchen is the heart of the room. Guests see the process, smell the smoke and hear the grill at work. The dry-ageing cabinets stand right in the dining room as part of the gastronomic concept.

The Basque school and the asador technique: gentle control of the fire, “grey embers”, no aggressive flame, respect for texture. Chef Alexander Tretinnikov works with whole primal cuts, fish on the bone, local and seasonal produce. A minimum of ingredients, a maximum of concentrated flavour.

View the menu
  • OMA open kitchen: grill, wood-fired oven and aging cabinet behind the bar, tables with white tablecloths
  • Tomahawk steaks and red peppers on a grill in an open kitchen
  • OMA wood-fired oven with live flames
  • Meat on the grill grate
  • Chef Alexander Tretinnikov at the open kitchen
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Main hall: general view of the room, open kitchen and wine cabinets
Main hall: armchair, patterned stone floor and table setting
Main hall: set tables and paintings on the walls

Wood

Stone

Paintings

Questions and answers

The essentials in brief. If you have another question, call us or book a table.

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Who created OMA?

Mikhail Gokhner, founder of El Gaucho. The idea was born on a journey to the Basque Country with chef Alexander Tretinnikov.

What is the OMA method?

The Basque school and the asador technique: delicate control of the fire, “grey embers”, no aggressive flame, respect for texture. A minimum of ingredients, a maximum of concentrated flavour.

Why does OMA unite the Basque Country and South America?

Historically the regions are linked by Basque migration to South America. The Basques brought their techniques of working with produce and fire, which grew into the asado culture.

Who designed the interior?

Designer Zhenya Uzhegova. The plates were designed by Ilya Kiselev, inspired by the journey to the Basque Country.

OMA · Patriarch's Ponds

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OMA

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OMA · Patriarch's Ponds

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